Wiener Philharmoniker, Daniele Gatti

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October 2024
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In its thirty-year Parisan residency on avenue Montaigne, the Wiener Philharmoniker has scarcely played any Russian repertoire. Seiji Ozawa, Valery Gergiev, and Mariss Jansons ventured into Stravinsky, Tchaikovsky and Mussorgsky, but never Shostakovich. We therefore applaud this programme devised by Italian-born Daniele Gatti, who is offering a Viennese take on this repertoire. Although Symphony No. 5 is the most frequently played work in the corpus (Shostakovich composed 15 symphonies), Symphony No. 10 is a work apart as it is more firmly anchored in history than the others. The piece was composed at the height of the Cold War when Shostakovich fell out of favour with many critics, especially in the wake of his opera Lady Macbeth of Mtsensk. This very specific period in the life of the musician has been subjected to much analysis as Stalin died in 1953, and a number of critics saw and heard in Opus 10 a musical expression of the years of Stalinist Terror. The whole work is permeated by a feeling of oppression and musical tensions are present throughout. This iconic work presents a challenge for a conductor who must demonstrate total mastery of rhythm in the midst of an ocean of structural complexity. But what a work! The orchestra is pushed to its dynamic limits and the conductor has to demand more and more from an orchestra which gradually becomes incredibly hectic to keep up with the timpani and brass, to say nothing of the woodwind and string sections, who never really get any respite. In short, the Viennese musicians will have to be on top form for this insanely demanding piece.

Program and cast

Wiener Philharmoniker

Daniele Gatti | direction 

 

Stravinsky  Apollon Musagète
Shostakovich Symphony No. 10 

Théâtre des Champs-Élysées

The Théâtre des Champs- Elysées is undoubtedly one of the finest venues in Paris . Built in 1913 , it has the distinction of having been designed by a group of artists architects Henry Van de Velde and Auguste Perret , the painter and sculptor Antoine Bourdelle , the painter Maurice Denis , and the crystal- René Lalique to do mention the main ones . He was the first Parisian theater to be built entirely of reinforced concrete.

 

Restoration of the Great Hall devoted to operatic performances , symphony concerts and dance was decided in 1985. Two years later , on 23 September 1987, the theater reopened its doors , completely renovated. Fifteen years after this important work it was decided to undertake a new renovation campaign , but to prevent the complete closure of the theater for an entire season , work is now carried by step during the summer . Then it is to replace aging equipment , to remedy wear certain parts of the theater and improve spectator comfort and artists during their visit . Thus in recent years, including the work involved the renovation of marble facade, replacing the carpet in the room with wooden floors , installation of a new fully decorated wooden concert to a significant improvement of acoustics, the orchestra pit and stage below .

 

The Théâtre des Champs- Elysées is now a modern working tool receiving each year nearly 300,000 spectators and a few thousands of artists and collaborators.

 

The Théâtre des Champs- Elysées , the jewel of French architecture of the twentieth century, was in 1953 one of the first buildings of contemporary architectural heritage to be classified as historic monuments . Since 1970 the Caisse des Dépôts owns the entire building 15 avenue Montaigne and principal patron of the theater.

 

For over a century, Théâtre des Champs-Elysées has been the place where the most celebrated artists have come to make their names in Paris. The world’s finest orchestras and world-class soloists have always been a fixture at the Theatre. Théâtre des Champs-Elysées presents more than 200 concerts each year and is renowned for its outstanding performances of all genres, from classical music concerts and staged opera to contemporary dance and jazz.

 

How to reach us:
 

Subway: Alma-Marceau (line 9), Franklin D.Roosevelt (line 1), Pont de l’Alma (RER line C)

Bus: n° 42, 63, 72, 80, 92
Taxi station: Place de l’Alma, corner of avenue George V
Car park: Alma George V. The entrance is in front of n° 19, avenue George V
Fixed rate depending on the length of the performance. Payment upon entering.

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