Thomas Enhco
September 2025 | ||||||
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Thomas Enhco, piano
When Thomas Enhco’s jazz piano ventures into the world of Mozart.
Mozart has been with me since childhood. I heard my mother sing his opera arias and my grandfather conduct his symphonies and his Requiem. On the violin (my first instrument), I studied his sonatas, concertos, and duos; on the piano, his fantasies, chamber music, and concertos—some of which I’ve had the chance to perform in recent years. Yet as a jazz musician, I had never drawn on Mozart’s work for improvisation, as I had done with Bach, Brahms, or Schumann. That opportunity came in 2022 when I played the role of Mozart in the production Mozart, une journée particulière, directed by David Lescot and conducted by Laurence Equilbey. After diving into Mozart’s world and spending some time in his shoes, I felt the urge to record a fully improvised, truly jazz album—navigating as freely as possible through the themes of the great Wolfgang, drawing from the immense and immortal diversity of his work (opera, sonata, symphony, mass, concerto, quartet…). In solo piano, when improvising, each concert is unique, fleeting, and the prospect of performing this Mozart Paradox at the Théâtre des Champs-Élysées fills me with joy and emotion.
Thomas Enhco
Program and cast
Mozart Paradox – Jazz Improvisations on Mozart
Mass in C, Don Giovanni, Ave Verum, A Little Night Music, The Magic Flute, Piano Sonatas Nos. 8 and 11, String Quartet No. 19 “Dissonances,” Symphony No. 40, Violin Sonata No. 21, Requiem, Clarinet Concerto
Production Théâtre des Champs-Élysées
Théâtre des Champs-Élysées
The Théâtre des Champs- Elysées is undoubtedly one of the finest venues in Paris . Built in 1913 , it has the distinction of having been designed by a group of artists architects Henry Van de Velde and Auguste Perret , the painter and sculptor Antoine Bourdelle , the painter Maurice Denis , and the crystal- René Lalique to do mention the main ones . He was the first Parisian theater to be built entirely of reinforced concrete.
Restoration of the Great Hall devoted to operatic performances , symphony concerts and dance was decided in 1985. Two years later , on 23 September 1987, the theater reopened its doors , completely renovated. Fifteen years after this important work it was decided to undertake a new renovation campaign , but to prevent the complete closure of the theater for an entire season , work is now carried by step during the summer . Then it is to replace aging equipment , to remedy wear certain parts of the theater and improve spectator comfort and artists during their visit . Thus in recent years, including the work involved the renovation of marble facade, replacing the carpet in the room with wooden floors , installation of a new fully decorated wooden concert to a significant improvement of acoustics, the orchestra pit and stage below .
The Théâtre des Champs- Elysées is now a modern working tool receiving each year nearly 300,000 spectators and a few thousands of artists and collaborators.
The Théâtre des Champs- Elysées , the jewel of French architecture of the twentieth century, was in 1953 one of the first buildings of contemporary architectural heritage to be classified as historic monuments . Since 1970 the Caisse des Dépôts owns the entire building 15 avenue Montaigne and principal patron of the theater.
For over a century, Théâtre des Champs-Elysées has been the place where the most celebrated artists have come to make their names in Paris. The world’s finest orchestras and world-class soloists have always been a fixture at the Theatre. Théâtre des Champs-Elysées presents more than 200 concerts each year and is renowned for its outstanding performances of all genres, from classical music concerts and staged opera to contemporary dance and jazz.
How to reach us:
Subway: Alma-Marceau (line 9), Franklin D.Roosevelt (line 1), Pont de l’Alma (RER line C)
Bus: n° 42, 63, 72, 80, 92
Taxi station: Place de l’Alma, corner of avenue George V
Car park: Alma George V. The entrance is in front of n° 19, avenue George V
Fixed rate depending on the length of the performance. Payment upon entering.