The Silence of Sound
January 2026 | ||||||
---|---|---|---|---|---|---|
Mo | Tu | We | Th | Fr | Sa | Su |
Concert spectacle
A dreamlike show for both young and old, created by conductor and director Alondra de la Parra and clown Gabriela Muñoz.
The Silence of Sound is a multidisciplinary musical show – a symphonic orchestra, a clownish actress, and a video installation – that engages all the senses. This entirely original musical and scenic project was conceived by conductor and director Alondra de la Parra and clown Gabriela Muñoz "Chula The Clown." The show premiered in Mexico in 2022, the home country of both women. The orchestra is on stage and becomes an integral part of the story, accompanying and guiding a clown on her musical journey. A dreamlike show for both young and old.
Program and cast
Alondra de la Parra, artistic and musical direction
Gabriela Muñoz, Chula the Clown
Orchestre Pasdeloup
Yorrick Troman, concertmaster
Rolando Fernandez, solo cello
Rebekka Dornhege Reyes, costumes
Mariona Omedes, video
Programme
Debussy The Little Shepherd, excerpt from Children’s Corner
Bartók Concerto for Orchestra (2nd movement)
Rimsky-Korsakov The Flight of the Bumblebee
Debussy La Mer (1st movement)
Jimbo’s Lullaby, excerpt from Children’s Corner
Hamilton In the Belly of the Whale
Weber-Berlioz Invitation to the Dance (excerpt)
Massenet Meditation from Thaïs
Sibelius Violin Concerto (3rd movement)
Prokofiev Symphony No. 1 op. 25 (1st movement)
Symphony No. 5 op. 100 (2nd movement)
Ibarra Las Antesalas del Sueño
Brahms Symphony No. 3 op. 90 (3rd movement)
Théâtre des Champs-Élysées
The Théâtre des Champs- Elysées is undoubtedly one of the finest venues in Paris . Built in 1913 , it has the distinction of having been designed by a group of artists architects Henry Van de Velde and Auguste Perret , the painter and sculptor Antoine Bourdelle , the painter Maurice Denis , and the crystal- René Lalique to do mention the main ones . He was the first Parisian theater to be built entirely of reinforced concrete.
Restoration of the Great Hall devoted to operatic performances , symphony concerts and dance was decided in 1985. Two years later , on 23 September 1987, the theater reopened its doors , completely renovated. Fifteen years after this important work it was decided to undertake a new renovation campaign , but to prevent the complete closure of the theater for an entire season , work is now carried by step during the summer . Then it is to replace aging equipment , to remedy wear certain parts of the theater and improve spectator comfort and artists during their visit . Thus in recent years, including the work involved the renovation of marble facade, replacing the carpet in the room with wooden floors , installation of a new fully decorated wooden concert to a significant improvement of acoustics, the orchestra pit and stage below .
The Théâtre des Champs- Elysées is now a modern working tool receiving each year nearly 300,000 spectators and a few thousands of artists and collaborators.
The Théâtre des Champs- Elysées , the jewel of French architecture of the twentieth century, was in 1953 one of the first buildings of contemporary architectural heritage to be classified as historic monuments . Since 1970 the Caisse des Dépôts owns the entire building 15 avenue Montaigne and principal patron of the theater.
For over a century, Théâtre des Champs-Elysées has been the place where the most celebrated artists have come to make their names in Paris. The world’s finest orchestras and world-class soloists have always been a fixture at the Theatre. Théâtre des Champs-Elysées presents more than 200 concerts each year and is renowned for its outstanding performances of all genres, from classical music concerts and staged opera to contemporary dance and jazz.
How to reach us:
Subway: Alma-Marceau (line 9), Franklin D.Roosevelt (line 1), Pont de l’Alma (RER line C)
Bus: n° 42, 63, 72, 80, 92
Taxi station: Place de l’Alma, corner of avenue George V
Car park: Alma George V. The entrance is in front of n° 19, avenue George V
Fixed rate depending on the length of the performance. Payment upon entering.