Rotterdams Philharmonisch Orkest, Lahav Shani, Martha Argerich

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September 2024
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The Rotterdam Philharmonic Orchestra has been a regular fixture at the Théâtre for over a decade. We first discovered it with Yannick Nézet-Séguin, the musical director at the time, and then with his successor Lahav Shani. The orchestra is paying a return visit with Lahav Shani for a memorable evening, accompanied by the hugely talented Martha Argerich, a living piano legend. She will perform Bartók’s third and last piano concerto, written in in 1945 when he was in exile in the United States. This sombre work, penned in the last months of his life (the last 14 bars out of a total of 1,200 were completed by one of his students in line with his instructions) requires a poetry and a sense of interiority which Martha Argerich has captured magnificently both in concert and on recordings. It has been catalogued by some as “posthumous”, yet it is nevertheless, by virtue of its poetic nature, a major milestone in the twentieth-century concert repertoire. The programme is supplemented by another great work of exile, Dvořák’s New World Symphony, whose melodious and contrasting themes and very varied orchestration are its strength and the key to its popularity.

Program and cast

Rotterdams Philharmonisch Orkest

Lahav Shani | direction
Martha Argerich | piano 

 

Bartók  Concerto for piano No. 3
Dvořák  Symphony No. 9 « From the New World » 

Théâtre des Champs-Élysées

The Théâtre des Champs- Elysées is undoubtedly one of the finest venues in Paris . Built in 1913 , it has the distinction of having been designed by a group of artists architects Henry Van de Velde and Auguste Perret , the painter and sculptor Antoine Bourdelle , the painter Maurice Denis , and the crystal- René Lalique to do mention the main ones . He was the first Parisian theater to be built entirely of reinforced concrete.

 

Restoration of the Great Hall devoted to operatic performances , symphony concerts and dance was decided in 1985. Two years later , on 23 September 1987, the theater reopened its doors , completely renovated. Fifteen years after this important work it was decided to undertake a new renovation campaign , but to prevent the complete closure of the theater for an entire season , work is now carried by step during the summer . Then it is to replace aging equipment , to remedy wear certain parts of the theater and improve spectator comfort and artists during their visit . Thus in recent years, including the work involved the renovation of marble facade, replacing the carpet in the room with wooden floors , installation of a new fully decorated wooden concert to a significant improvement of acoustics, the orchestra pit and stage below .

 

The Théâtre des Champs- Elysées is now a modern working tool receiving each year nearly 300,000 spectators and a few thousands of artists and collaborators.

 

The Théâtre des Champs- Elysées , the jewel of French architecture of the twentieth century, was in 1953 one of the first buildings of contemporary architectural heritage to be classified as historic monuments . Since 1970 the Caisse des Dépôts owns the entire building 15 avenue Montaigne and principal patron of the theater.

 

For over a century, Théâtre des Champs-Elysées has been the place where the most celebrated artists have come to make their names in Paris. The world’s finest orchestras and world-class soloists have always been a fixture at the Theatre. Théâtre des Champs-Elysées presents more than 200 concerts each year and is renowned for its outstanding performances of all genres, from classical music concerts and staged opera to contemporary dance and jazz.

 

How to reach us:
 

Subway: Alma-Marceau (line 9), Franklin D.Roosevelt (line 1), Pont de l’Alma (RER line C)

Bus: n° 42, 63, 72, 80, 92
Taxi station: Place de l’Alma, corner of avenue George V
Car park: Alma George V. The entrance is in front of n° 19, avenue George V
Fixed rate depending on the length of the performance. Payment upon entering.

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