Orlando
March 2026 | ||||||
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Mo | Tu | We | Th | Fr | Sa | Su |
Orlando – Georg Friedrich Handel | Opera in concert
Duration: approximately 2h40
Sung in Italian, with surtitles in French / English
Handel and Ariosto for one of Handel’s most moving works.
Among Handel’s so-called "magic" operas, Orlando is the only one that does not feature a sorceress but a magician, Zoroastro—perhaps the finest bass role in the composer’s entire operatic repertoire. This is not the only remarkable aspect of a score that is exceptional in every way: its structure, melodic richness, orchestration, the power of its recitatives, its superbly expressive arias, and its bravura passages. The libretto, drawn from Ariosto’s Orlando Furioso, inspired Handel to compose one of his most beautiful works, particularly the trio at the end of the first act and Orlando’s great mad scene that concludes the second.
Program and cast
Aude Extremo | Orlando
Ana Maria Labin | Angelica
Yuriy Mynenko | Medoro
Alina Wunderlin | Dorinda
Edward Jowle | Zoroastro
Les Musiciens du Louvre
Marc Minkowski | conductor
Production Théâtre des Champs-Élysées
Théâtre des Champs-Élysées
The Théâtre des Champs- Elysées is undoubtedly one of the finest venues in Paris . Built in 1913 , it has the distinction of having been designed by a group of artists architects Henry Van de Velde and Auguste Perret , the painter and sculptor Antoine Bourdelle , the painter Maurice Denis , and the crystal- René Lalique to do mention the main ones . He was the first Parisian theater to be built entirely of reinforced concrete.
Restoration of the Great Hall devoted to operatic performances , symphony concerts and dance was decided in 1985. Two years later , on 23 September 1987, the theater reopened its doors , completely renovated. Fifteen years after this important work it was decided to undertake a new renovation campaign , but to prevent the complete closure of the theater for an entire season , work is now carried by step during the summer . Then it is to replace aging equipment , to remedy wear certain parts of the theater and improve spectator comfort and artists during their visit . Thus in recent years, including the work involved the renovation of marble facade, replacing the carpet in the room with wooden floors , installation of a new fully decorated wooden concert to a significant improvement of acoustics, the orchestra pit and stage below .
The Théâtre des Champs- Elysées is now a modern working tool receiving each year nearly 300,000 spectators and a few thousands of artists and collaborators.
The Théâtre des Champs- Elysées , the jewel of French architecture of the twentieth century, was in 1953 one of the first buildings of contemporary architectural heritage to be classified as historic monuments . Since 1970 the Caisse des Dépôts owns the entire building 15 avenue Montaigne and principal patron of the theater.
For over a century, Théâtre des Champs-Elysées has been the place where the most celebrated artists have come to make their names in Paris. The world’s finest orchestras and world-class soloists have always been a fixture at the Theatre. Théâtre des Champs-Elysées presents more than 200 concerts each year and is renowned for its outstanding performances of all genres, from classical music concerts and staged opera to contemporary dance and jazz.
How to reach us:
Subway: Alma-Marceau (line 9), Franklin D.Roosevelt (line 1), Pont de l’Alma (RER line C)
Bus: n° 42, 63, 72, 80, 92
Taxi station: Place de l’Alma, corner of avenue George V
Car park: Alma George V. The entrance is in front of n° 19, avenue George V
Fixed rate depending on the length of the performance. Payment upon entering.