Handel, The Messiah

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December 2025
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Handel: The Messiah | Concert

 

The Messiah is Handel’s most renowned work. Premiered in Dublin in 1742, the oratorio was an immediate triumph: ticket demand was so high that gentlemen were asked to “leave their swords at home” and ladies to come “without hoop skirts” to make room for more attendees and thus increase the revenue “destined for charitable causes.” During the great alto aria He was despised, Reverend Delany, overcome with emotion, stood up in the audience and cried out to the singer: “Woman, for this, may all your sins be forgiven!”

 

When later performed in London, The Messiah quickly became Handel’s signature piece. Performed thirty-six times during his lifetime, it soon came to embody all that is majestic and sublime in music. Charles Jennens constructed the libretto, dedicated to Christ, in three parts: the Nativity, the Passion and Resurrection, and the Redemption. The ideal alternation between solo arias and choral numbers is masterful, and Handel’s lyrical genius shines throughout the work: whether tender or triumphant, the arias are among his finest. The unforgettable choruses have echoed in listeners’ ears for over 250 years. In London, King George II was so moved by the Hallelujah that he stood up, followed by the entire audience — a tradition upheld by British audiences ever since.

 

The Choir and Orchestra of the Royal Opera, conducted by Théotime Langlois de Swarte, will provide perfect accompaniment for a quartet of outstanding young singers.

 

Les Productions de l’Opéra Royal

 

Prestige VIP – Best seats in the house, including a glass of champagne and the show program.
Prestige – Includes a complimentary glass of champagne.

Program and cast

Gwendoline Blondeel, soprano
Paul-Antoine Bénos-Djian, countertenor
Laurence Kilsby, tenor
Morgan Pearce, baritone
Choir of the Royal Opera
Orchestra of the Royal Opera
Théotime Langlois de Swarte, conductor

 

Program
Concert in English with French surtitles.

 

First part: 1h20
Intermission
Second part: 1h10

Royal Chapel of Versailles

The Royal Chapel was finished in 1710 at the end of Louis XIV’s reign. Jules Hardouin-Mansart proposed the plan to the King in 1669. The First Architect died in 1708 without seeing the end of the works which were taken over by his brother-in-law Robert De Cotte. The reigning monarch only came for major religious festivals where he received communion, for ceremonies of the Order of Saint-Esprit, for the baptisms and weddings of the royal children celebrated from 1710 to 1789. This exceptional palatine chapel was also used for a wide range of religious ceremonies, including the marriage of Archduchess Marie-Antoinette with the future Louis XVI.

Above the altar, around the organ by Clicquot decorated with a fine relief of King David, played by great masters like François Couperin, the Chapel’s music, famous all over Europe, sung motets everyday during all religious services. Today Handel’s Dixit Dominus or Messiah, Bach’s Oratorios, Magnificat, Cantatas or Passions, Pergolesi’s Stabat Mater or Charpentier’s Te Deum ring out in this majestic architecture.

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