Franco Fagioli, Michele d'Elia
October 2025 | ||||||
---|---|---|---|---|---|---|
Mo | Tu | We | Th | Fr | Sa | Su |
Franco Fagioli explores the full range of his voice, from Baroque to bel canto.
Franco Fagioli is one of those singers who cannot be defined by a single adjective. The range of his vocal abilities, his dazzling virtuosity, and his dramatic flair make him an exceptional performer in many ways. The masterpieces and some rarities of the Baroque era—such as his Artaserse by Vinci a few years ago or, more recently, his stunning Sextus in Giulio Cesare—are his favorite territory, both on stage and on record, where he effortlessly shifts from contralto to soprano range. For this recital, however, he has chosen to blend these beloved Baroque composers with some great representatives of bel canto—a new way of showcasing his curiosity for repertoire and vocal expression.
Program and cast
Franco Fagioli, countertenor
Michele d’Elia, piano
Programme
Caccini: Amarilli, mia bella
Pergolesi: Se tu m’ami
Handel: “Frondi tenere e belle... Ombra mai fu,” recitative and aria from Serse
Gluck: “O del mio dolce ardor,” aria from Pâris et Hélène
“Sposa!... Che farò senza Euridice,” aria from Orphée et Eurydice
Scarlatti: Sonata L. 126
Mozart: Ridente la calma K. 152
Ah, spiegarti, oh Dio K. 178
“Deh, per questo istante solo,” aria from La Clémence de Titus
Bellini: Vaga luna che inargenti
Dolente immagine di Fille mia
Quando incise su quel marmo
Donizetti: Amore e morte
“Il segreto per esser felici,” aria from Lucrèce Borgia
Rossini: Marche et réminiscences pour mon dernier voyage, excerpt from Soirée italienne
Beltà crudele
“Chi m’ascolta il canto usato,” aria from Il Trovatore
L’Ultimo ricordo
“O patria... Tu che accendi... Di tanti palpiti,” recitative and aria from Tancrède
Théâtre des Champs-Élysées
The Théâtre des Champs- Elysées is undoubtedly one of the finest venues in Paris . Built in 1913 , it has the distinction of having been designed by a group of artists architects Henry Van de Velde and Auguste Perret , the painter and sculptor Antoine Bourdelle , the painter Maurice Denis , and the crystal- René Lalique to do mention the main ones . He was the first Parisian theater to be built entirely of reinforced concrete.
Restoration of the Great Hall devoted to operatic performances , symphony concerts and dance was decided in 1985. Two years later , on 23 September 1987, the theater reopened its doors , completely renovated. Fifteen years after this important work it was decided to undertake a new renovation campaign , but to prevent the complete closure of the theater for an entire season , work is now carried by step during the summer . Then it is to replace aging equipment , to remedy wear certain parts of the theater and improve spectator comfort and artists during their visit . Thus in recent years, including the work involved the renovation of marble facade, replacing the carpet in the room with wooden floors , installation of a new fully decorated wooden concert to a significant improvement of acoustics, the orchestra pit and stage below .
The Théâtre des Champs- Elysées is now a modern working tool receiving each year nearly 300,000 spectators and a few thousands of artists and collaborators.
The Théâtre des Champs- Elysées , the jewel of French architecture of the twentieth century, was in 1953 one of the first buildings of contemporary architectural heritage to be classified as historic monuments . Since 1970 the Caisse des Dépôts owns the entire building 15 avenue Montaigne and principal patron of the theater.
For over a century, Théâtre des Champs-Elysées has been the place where the most celebrated artists have come to make their names in Paris. The world’s finest orchestras and world-class soloists have always been a fixture at the Theatre. Théâtre des Champs-Elysées presents more than 200 concerts each year and is renowned for its outstanding performances of all genres, from classical music concerts and staged opera to contemporary dance and jazz.
How to reach us:
Subway: Alma-Marceau (line 9), Franklin D.Roosevelt (line 1), Pont de l’Alma (RER line C)
Bus: n° 42, 63, 72, 80, 92
Taxi station: Place de l’Alma, corner of avenue George V
Car park: Alma George V. The entrance is in front of n° 19, avenue George V
Fixed rate depending on the length of the performance. Payment upon entering.