Daughter of the Regiment

First part

Act 1 

The year is 1815, in the Tyrolean mountains. The Marquise de Berkenfield and her butler Hortensius have been caught by surprise by the advancing French troops the very day they are preparing to flee to Austria. The Marquise finds herself among the villagers. The men are carrying rifles, the women are praying to the Virgin Mary (Sainte Madone).

Perhaps as a result of the prayers, the French troops leave the mountain. The Marquise is relieved, after having been so afraid (Pour une femme de mon nom). She retires to get some rest. Left alone, Hortensius finds himself opposite Sulpice, a sergeant in the 21st regiment. The butler is terribly afraid but he manages to obtain a pass for himself and his mistress. Marie joins Sulpice. She is the adopted daughter of the regiment that found her on a battlefield twelve years earlier (Au bruit de la guerre, j’ai reçu le jour).

The entire regiment has acted as a father to her (Mon régiment, j’en suis fière vraiment). Lately, Marie has become a vivandière (Nommée à l’unanimité). However, for some time now, Marie has been seeing a Tyrolean partisan, Tonio. Sulpice is anything but happy with his daughter’s new relationship. Marie is sad and in love. She and Tonio have decided not see each other anymore. Meanwhile, the entire regiment arrives escorting the Tyrolean who, at the risk of being killed, has come to meet with Marie. (C’est un traître, qu’il périsse). Marie saves Tonio just as he saved her life after she almost fell off a cliff while picking flowers (Quoi, la mort à celui qui me sauva la vie!). The Tyrolean drinks to his new friends, Marie sings the regimental song (Il est là, morbleu, le beau Vingt-et-unième).

The regiment leaves taking Tonio with them, but he soon escapes to return to Marie (Quoi ! Vous m’aimez ?). Sulpice surprises them. Marie is compelled to admit to Tonio that she can only marry a soldier from the 21st regiment. Tonio refuses to give up. The Marquise of Berkenfield is given an escort by Sulpice in order to return to her castle. But Sulpice recognizes the name Berkenfield: the same name was on the letter found next to the infant Marie when she was recovered on the battlefield. We learn that the Marquise is the aunt of the vivandière. Appalled by Marie’s manners, she decides to bring her niece to the castle in the hope of giving her a decent education. Unfortunately Tonio has just enlisted on the French side (Ah! Mes amis, quel jour de fête!). He wins the hand of the vivandière. But Marie must leave the man she loves and her regiment (Il faut partir).

Second part

Act 2

We are at the home of the Marquise de Berkenfield. The latter has just arranged an advantageous marriage for Marie with Duke Scipion de Crackentorp. Sulpice, who is also at the castle is supposed to be assisting the Marquise in her project to re-educate Marie. On the agenda: music. Today, Marie has to sing an Italian love song (Le jour naissait dans le bocage). But Sulpice encourages Marie into disobedience (Rataplan, c’est le refrain du régiment). The military song blends with the love song.

The Marquise is furious and Marie is very unhappy (Sous les bijoux et la dentelle, je cache un chagrin sans espoir). Just then, the entire regiment bursts into the castle (C’est elle, notre fille!). Tonio is among them. The soldiers seize Hortensius, the butler. Tonio and Sulpice stay with Marie (Tous les trois réunis). Tonio asks the Marquise for Marie’s hand (Pour me rapprocher de Marie). The Marquise refuses so Tonio makes up his mind to speak. He has learned from his uncle that the Marquise is not Marie’s aunt. He considers abduction. However, alone with Sulpice, the Marquise admits the truth.

She is in fact Marie’s mother and the father was Captain Robert, a soldier. Afraid that a love affair unbefitting of her station would become public, she abandoned her child. The guests arrive for the signature of the marriage contract. Marie refuses to leave her room. The Marquise doesn’t know what to do. The dreadful Duchess of Crackentorp quickly grows impatient. Meanwhile, Sulpice decides to enlighten Marie as to the secret of her birth.

She can no longer refuse. Marie indeed comes out of her room. However, as she prepares to sign the contract, all the soldiers, led by Tonio, burst into the marriage chamber (Au secours de notre fille, nous accourrons tous ici). The guests are horrified to learn that the young girl was a vivandière (Une fille de régiment) but confronted by Marie’s feelings, they change their opinion (Au fait, elle est charmante). The Marquise does not wish to sacrifice her daughter and accepts her marriage to Tonio. Everyone present sings a final: Salut à la France.

CHARACTERS

Marie: young vivandière
Tonio: young Tyrolean
Sulpice: sergeant
The Marchioness of Berkenfield
Hortensius: marquise's steward
The Duchess of Crakentorp

Program and cast

Comic opera in two acts (1840)

Opéra-comique en deux actes

Creative team

Gaetano Donizetti - Music

Jules-Henri Vernoy de Saint-Georges - Libretto

Jean-François Bayard - Libretto

Evelino Pidò - Conductor

Ching-Lien Wu - Chorus master

Laurent Pelly - Director and costume design

Chantal Thomas - Set design

Joël Adam - Lighting design

Laura Scozzi - Choreography

Agathe Mélinand - Dramaturgy

Cast

Julie Fuchs - Marie

Lawrence Brownlee - Tonio

Lionel Lhote - Sulpice

Susan Graham - The Marchioness of Berkenfield

Florent Mbia - Hortensius

Felicity Lott - The Duchess of Crakentorp

Cyrille Lovighi - A peasant

Mikhail Silantev - The Corporal

The Paris Opera Orchestra and Chorus
A production Metropolitan Opera, New York, Royal Opera House Covent Garden, London, Staatsoper, Vienna

Language : French

Surtitle : French / English

Duration :

Opening

First part - 80 minutes

Intermission - 30 minutes

Second part - 50 minutes

End