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© Siegfried Lauterwasser/ Bridgeman Images
Boulez Anniversary
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 May 2025 | ||||||
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Far from beginning with a clean slate, Pierre Boulez drew on ancient forms as foundations for his music, such as the liturgical forms at the heart of Répons—placed here in perspective alongside Debussy and Ravel, and a new work by Charlotte Bray.
Program and cast
Duration: about 2h00 with 1 intermission
Concert
Distribution
Ensemble intercontemporain
Pierre Bleuse , conducting
Pierre-Laurent Aimard , piano
Jean-Guihen Queyras , cello
Augustin Muller , électronique Ircam
Program
Pierre Boulez:
Mémoriale (...explosante-fixe... Originel), pour flûte et huit instruments
Messagesquisse
pour violoncelle solo et six violoncelles
Claude Debussy:
En blanc et noir
pour deux pianos
Pierre Boulez:
Sonatine, pour flûte et piano
Charlotte Bray:
Œuvre nouvelle
pour ensemble (création)
Intermission
Pierre Boulez:
Répons, pour six solistes, ensemble, sons informatiques et électronique en temps réel
Philharmonie de Paris
Grande salle Pierre Boulez - Philharmonie
The Grande salle Pierre Boulez (Symphonic Hall) boasts innovations in architecture, stage design and acoustical engineering. Thanks to a modular design, its capacity increases from 2400 people in the symphonic configuration to 3600 when the parterre is converted into a standing room area.
All five levels of the Grande salle Pierre Boulez are accessed via the entrance on Level 3 of Philharmonie, which can be reached via stairways, escalators and two lifts, with direct access from the Porte de Pantin plaza and the Philharmonie parking facility.
From the entrance, stairways and lifts inside the hall take visitors to the various levels.
The Grande Salle Pierre Boulez has thirty designated seats for people with reduced mobility.
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