A Masked Ball

Order tickets
January 2026 Next
Mo
Tu
We
Th
Fr
Sa
Su

 

 

Duration : 3h00 with 1 interval

Language : Italian

Surtitle : French / English

 

Opening

First part 95 min

Intermission 30 min

Second part 55 min

End

 

Synopsis

    Place, Stockholm, Sweden or Boston, Massachusetts.
    Time, Sweden: March 1792, or Boston: the end of the 17th century.

 

Act 1

Scene 1: A public audience at Riccardo's palace, attended by his supporters, but also by his enemies who hope for his downfall

Riccardo (Gustavo) reviews the list of guests who will attend an upcoming masked ball. He is elated to see the name of the woman he loves on the list – Amelia, the wife of his friend and advisor, Renato (Count Anckarström). (Aria: La rivedrà nell'estasi / "With rapture I shall look upon her"). When Renato arrives, he tries to warn Riccardo about the growing conspiracy against him (aria: Alla vita che t'arride / "To the life with which you are favoured"), but Riccardo refuses to listen to his words.

Next, Riccardo is presented with a complaint against a fortune-teller named Ulrica (Madame Arvidson), accused of witchcraft. A magistrate calls for her banishment, but Oscar the page defends her (Aria: Volta la terrea / "That tense countenance"). Riccardo resolves to investigate for himself and tells the members of the court to disguise themselves and to meet him at Ulrica's lodging later that day.

Scene 2: At Ulrica's dwelling

Ulrica summons her magical powers: Re dell'abisso, affrettati / "King of the abyss make haste". Disguised as a fisherman, Riccardo arrives before the others. He makes the fortune of a sailor named Silvano come true by spiriting a document of promotion into his pouch, convincing the crowd of the truth of Ulrica's powers. When he realizes that Amelia is coming to see Ulrica, he hides and watches. Alone with Ulrica, Amelia confesses that she is tormented by her love for Riccardo, and asks for a means to bring peace to her heart. Ulrica tells her to gather a certain herb with magical powers; Riccardo resolves to be there when she does so. Amelia leaves.

Now Riccardo presents himself again, along with all of the courtiers, and asks to have his fortune told. (Aria: Di' tu se fedele / "Say whether the sea Awaits me faithfully"). Ulrica reveals that he will be killed by the next man who shakes his hand. He laughingly dismisses her prophecy and offers his hand to the courtiers, who refuse to take it. Renato arrives and shakes Riccardo's hand in greeting. Riccardo's true identity is now revealed and he is acclaimed by the people.


Act 2

On the outskirts of the town, at the gallows-place. Midnight

Amelia, conquering her fears, has come here alone to pick the herb of which Ulrica told her (Aria: Ma dall'arido stelo divulsa / " If through the arid stalks"). She is surprised by Riccardo, who has come to meet her, and the two finally declare their love for each other.

Unexpectedly, Renato arrives, and Amelia covers her face with her veil before he can recognize her. Renato explains to Riccardo that the conspirators are pursuing him, and his life is in danger. Riccardo leaves, making Renato promise to escort the veiled woman safely back to town, not asking her identity. When the conspirators arrive, they confront Renato; in the struggle, Amelia's veil drops. Renato assumes that Amelia and Riccardo have been involved in an adulterous love affair. He asks the two leaders of the conspiracy, Samuel and Tom, to meet him the next day.


Act 3

Scene 1: Renato's house

Renato has resolved to kill Amelia for the dishonor she has brought on him. She protests her innocence and begs to see her son one last time. (Aria: Morrò, ma prima in grazia / "I shall die - but one last wish"). Renato relents, and declares that it is Riccardo, not Amelia, who deserves to die (Aria: Eri tu che macchiavi quell'anima / "It was you who stained this soul").

Samuel (Count Ribbing) and Tom (Count Horn) arrive, and Renato asks to join their plot, pledging the life of his son as proof of his sincerity. They agree to draw lots to decide who will kill Riccardo. Amelia is forced to draw the winning name – Renato.

Oscar, the page, arrives with invitations to the masked ball; Samuel, Tom and Renato agree that this is where the assassination will take place.

Scene 2: The ball

Riccardo, torn between love and duty, has resolved to renounce his love for Amelia and send her and Renato back to England (Aria: Ma se m'è forza perderti / "But if I am forced to lose you").

At the ball, Renato tries to learn from Oscar what costume Riccardo is wearing. Oscar at first refuses to tell (Aria: Saper vorreste / "You want to know How he is dressed"), but he finally answers: a black cloak and a red ribbon. Riccardo manages to identify Amelia and tells her of the decision he has made. As they say goodbye, Renato stabs Riccardo. The wounded Riccardo discloses that though he loved Amelia, she never broke her marriage vows. He pardons all the conspirators, bidding farewell to his friends and his country as he dies.

Program and cast

Melodramma in three acts (1859)

 

Creative team

Giuseppe Verdi: Music(1813‑1901)

Antonio Somma: Libretto

Speranza Scappucci: Conductor

Gilbert Deflo: Director

William Orlandi: Set design and Costume design

Joël Hourbeigt: Lighting design

Micha Van Hoecke: Choreography

Alessandro Di Stefano: Chorus master

 

Cast

Matthew Polenzani: Riccardo

Anna Netrebko: Amelia(27 Jan. > 8 Feb.)

Angela Meade: Amelia(11 > 26 Feb.)

Igor Golovatenko: Renato(27 Jan. > 2 Feb.)

Ludovic Tézier: Renato(5 > 17 Feb.)

Andrii Kymach: Renato(20 > 26 Feb.)

Sara Blanch: Oscar

Elizabeth DeShong: Ulrica

Christian Rodrigue Moungoungou: Samuele

Blake Denson: Tomaso

Andres Cascante: Silvano

Ju In Yoon: Un giudice

Se-Jin Hwang: Un servitore di Amelia

The Paris Opera Orchestra and Chorus

Photo gallery
Emilie Brouchon/ OnP
© Emilie Brouchon/ OnP
Emilie Brouchon/ OnP
© Emilie Brouchon/ OnP

Paris Opera Bastille

RM Europa Ticket GmbH is an officially accredited ticket reseller of/by Opera National de Paris.

 

Agency number: 4848428

 

Opéra Bastille


A great modern theatre


The Opéra Bastille is the work of the Canadian-Uruguayan architect Carlos Ott, who was chosen in November 1983 after an international competition that attracted entries from some 1,700 architects. The theatre was inaugurated on July 13th 1989.
Its architecture is marked by transparent façades and by the use of identical materials for both the interiors and the exteriors.
With its 2,700 acoustically consistent seats, its unique stage facilities, its integrated scenery, costume and accessory workshops, as well as its numerous work areas and rehearsal rooms, the Opera Bastille is a great modern theatre.
Stage facilities

Orchestra pit, mobile and adjustable, can be covered; at its largest it can house 130 musicians
Main stage, 45 m high, 30 m wide, 25 m deep, made up of 9 elevators allowing several levels to be created and supported by three main elevators, which bring scenery up from below stage
Clearing zones, 4 storage areas with the same dimensions as the stage
Backstage area, with its scenery turntable
Circulation area, scenery temporarily stored between the stage, workshops and rehearsal stage
Rehearsal stage, the Salle Gounod, with its orchestra pit and dimensions identical to those of the main stage

 

The building

Area at ground level: 22,000 m²
Floor area: 160,000 m²
Total height: 80 m (including 30 m below street level)

 

The auditoriums
The main auditorium

Area: 1,200 m², 5% of the total for the building
Dimensions: 20 m high, 32 m deep, 40 m wide
Number of seats: 2,703
Materials: blue granite from Lannelin in Brittany, pearwood from China, glass ceiling

 

The amphitheatre

Area: 700 m²
Depth : 21.4 m
Number of seats : 450
Materials: white breccia marble from Verona, staff ceiling

 

The Studio

Area: 280 m²
Depth: 19,5 m
Number of seats: 237
Materials: white breccia marble from Verona and pearwood

Related events