The Sleeping Beauty

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When Rudolf Nureyev came to Paris in 1961 on tour with the Kirov, shortly before he applied for political asylum, he captived audiences at the Palais Garnier in the role of the Prince in The Sleeping Beauty. Thirty years later, he proposed a new choreography of what he considered to be “the ballet of ballets” for the Paris Opera Ballet.

While retaining the spectacular enchantment of the ballet and the sparkling charm of Tchaikovsky’s music, he brought a new balance to Marius Petipa’s original choreography by giving more prominence to the male roles, particularly that of the Prince.

Absent from the Paris Opera stage for ten years, there is no doubt that Aurore and Désiré, the Lilac Fairy and the Blue Bird, not forgetting the terrible Carabosse, will fascinate new generations.

 

Program and cast

Ballet in three acts and a prologue

Libretto after Charles Perrault
Choreography after Marius Petipa

 

Creative team

Rudolf Noureev - Choreography

Piotr Ilyitch Tchaïkovski - Music

Vello Pähn - Conductor

Sora Elizabeth Lee - Conductor

Rudolf Noureev - Director

Ezio Frigerio - Set design

Franca Squarciapino - Costume design

Vinicio Cheli - Lighting design

 

With the Paris Opera Étoiles, Premières Danseuses, Premiers Danseurs and Corps de Ballet
The Paris Opera Orchestra

Paris Opera Bastille

RM Europa Ticket GmbH is an officially accredited ticket reseller of/by Opera National de Paris.

 

Agency number: 4848428

 

Opéra Bastille


A great modern theatre


The Opéra Bastille is the work of the Canadian-Uruguayan architect Carlos Ott, who was chosen in November 1983 after an international competition that attracted entries from some 1,700 architects. The theatre was inaugurated on July 13th 1989.
Its architecture is marked by transparent façades and by the use of identical materials for both the interiors and the exteriors.
With its 2,700 acoustically consistent seats, its unique stage facilities, its integrated scenery, costume and accessory workshops, as well as its numerous work areas and rehearsal rooms, the Opera Bastille is a great modern theatre.
Stage facilities

Orchestra pit, mobile and adjustable, can be covered; at its largest it can house 130 musicians
Main stage, 45 m high, 30 m wide, 25 m deep, made up of 9 elevators allowing several levels to be created and supported by three main elevators, which bring scenery up from below stage
Clearing zones, 4 storage areas with the same dimensions as the stage
Backstage area, with its scenery turntable
Circulation area, scenery temporarily stored between the stage, workshops and rehearsal stage
Rehearsal stage, the Salle Gounod, with its orchestra pit and dimensions identical to those of the main stage

 

The building

Area at ground level: 22,000 m²
Floor area: 160,000 m²
Total height: 80 m (including 30 m below street level)

 

The auditoriums
The main auditorium

Area: 1,200 m², 5% of the total for the building
Dimensions: 20 m high, 32 m deep, 40 m wide
Number of seats: 2,703
Materials: blue granite from Lannelin in Brittany, pearwood from China, glass ceiling

 

The amphitheatre

Area: 700 m²
Depth : 21.4 m
Number of seats : 450
Materials: white breccia marble from Verona, staff ceiling

 

The Studio

Area: 280 m²
Depth: 19,5 m
Number of seats: 237
Materials: white breccia marble from Verona and pearwood

 

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